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PRICE 50 CENTS 
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COPYRIGHTED 




LINENS,*ETC, 



FOR 



Mexican Drawn-Work, 

EMBROIDERY AND DECORATIVE PURPOSES. 



Irish Linen Lawn, 36 inches wide, at 40c. 50c, 60c, 70c, 80c, 90c, $1.00 and $1.25 per yard. 44 inches wid< 
at $1.00, $1.25 and $1.50 per yard. 

French Linen Cambric, 29 inches wide, at $1.00, $1.25, $1.50 and $1.75 per yard. 

Hand Spun French Linen Lawn, 20 inches wide, at $1.25, $1.50, $2, $3, $4, $5 and $6.00 per yard. 

Chinese GraSS Linen, 17 inches wide, at 75c, $1.00 and $1.50 per yard. 34 inches wide, at $1.25, $1.5( 
and $2.50 per yard. 

Silk Bolting Cloth, 10 inches wide, $2.00, $2.50 and $3 per yard. 

Soft Silky " Old Bleach " Linens, ie, is, 20. 22, 24, 27, 36, 45 and 54 inches wide. 

Irish; Dutch and Belgian LinenS, (Round Thread), 36, 40, 42, 45, 54, 63, 72, SO, 90, lOO and 10f 

inches wide. 

Plain Satin Damask, IS, 27, 36, 72, SO and 90 inches wide. 

Dowlas, Cream and White, 27, 36, 45, 54, 72 and 90 inches wide. 

Colored Art Linens, Pink, Old Blue, Terra Cotta, Sage, Old Gold, Canary and Other Shades, 36 i' che 
wide, 75c per yard. 52 inches wide, $1.50 per yard. 

Lineil Momk Cloth, fine quality, White, Cream and Gray, 18, 22, 27, 36, 54 and 72 inches wide. 
Linen Canvas, White. Cream and Gray, 18, 22, 27 and 36 inches wide. 
Linen Drills and DuckS, Gray, Cream, Ecru, &c, 27 inches wide. 

Real Russia Crashes, is and 22 inches wide. Huckabacks, is to 27 inches wide. 

Hemstitched Linen Tray Cloths, Doylies, Center Pieces, Tea Cloths, Scarfs, Etc., 

Every Size in ordinary use in very large assortment, Plain or Stamped in the Newest and Most Artistic Designs. ; 



JAMES M c CUTCHEON & CO., 

TrtE LINEN STORE." 14 WEST 23D STREET, \ 

ESTABLISHED 1855. NEW YORK 



:] 



I \ i 
SILK FLOSSES, LINEN THREADS, 

Embroidery Cottons, Etc., 



FOR 



FANCY WORK. 

Finlayson's "Real Scotch" Crochet Thread, white, Cream and Gray. nos. letoso. 25c per bail. 

FinlaVSOn'S Lineil FlOSS, White and Colors. 5c a Skein. 50c. a Dozen. 
FinlaySOn'S Bargarren Thread, White and Colors. 5c a Skein. 50c. a Dozen. 

Barbour's Linen Thread, white and cream. s c a spool. 

Little Mills Linen Thread, for Darning and Fine Lace Work. White only. Nos. 30 to 1500. 5c a ball. 

D. M. C. Embroidery and Marking Cotton, white and colors. 3c a skein. 

MadOima CottOn, Colors only. 2c a Skein. 

Brainerd & Armstrong's Roman Silk, white and colors. 4c a skein. 45c a jo<en. 
Brainerd & Armstrong's Outline Silk, white and colors. 3c a Skein. 35c a dozen. 
Brainerd & Armstrong's Twisted Silk, white and colors. 4c a Skein. 45c a dozen. 

H. ^ 

Brainerd & Armstrong's Filo Floss, white and colors. 4c a skein. 45c a dozen. 

ft "adition 

Brainerd & Armstrong's Rope Silk, white and colors. 4c a skein. 45c a dozen. s?ions 

Brainerd & Armstrong's Raw Silk, White and Cream only. 4c a Skein. 45c a dozen. -e- 

Brainerd & Armstrong's Whip Cord Twist Silk, white and colors. ioc a s P ooi of 25 yards. 
Brainerd & Armstrong's Knitting Silk, white and Colors. 35c a Half-ounce spool. 

Couching Cord, 25c a Skein of 25 yards. 



JAMES M c CUTCHEON & CO., 

E5 LI1VE1V STORE, 

14 WEST TWENTY-THIRD STREET, 
ESTABLISHED 1855. ^■■MM— ~- [yj £ yy VQRK 




Copyrighted, November, 1893, by Mrs. S. E. Criss Wise. 



Chicago: Metropolitan Printing Co., Ill Fifth Avenue. 



£ 



geautificatioq op the bjorqe. 



BY THE USE OK MEXICAN DRAWN WORK. 



J|vTi] OW to beautify and make the home attractive has long been a question animating the 
Wlflf feminine heart and mind. In those daintier touches, improvements and additions that 
=^ i ° go toward making up an artistic ensemble and which show a perfect and attractive 
taste in the general tone of the household, woman exemplifies the gentler attributes of her 
sphere. In no way is a home made to display more completely the cultured taste and domestic 
affinity of the mistress of the household than by the illustration and application of fine needle- 
work and embroidery in the decoration and beautification of her home surroundings. Great as 
is the variety and wide the selection in such ornamentation, the features of true art, utility and 
adaptability as a means of solace and pleasure in idle hours and agreable method of dispelling 
moments of wearisome ennui are often not fully appreciated or understood by those who desire 
to adopt some pleasurable and sympathetic means of employment and diversion. 



MEXICAN DRAWN WORK. 

Of late the taste of the more highly cultured and those possessing a true artistic sense of 
beauty, harmony and worth in the selection of house decorations, as well as for the profitable 
culture and employment of their talents, has turned toward the art of Drawn Work, of which 
there is none superior to Mexican Drawn Work in point of beauty of design, delicacy of finish, 
artistic worth and the most highly gratifying decorative qualities. 

Mexican Drawn Work is quite well known to connoiseuers and lovers and votaries of 
art needle-work, but it is yet comparatively in its infancy so far as its general introduction into 
American and English homes is concerned. Its origin is lost in the filmy network of tradition 
surrounding the conquest of the Incas and the children of Montezuma by the invading legions 
of the Spaniards, who had received more than the rudiments of this splendid species of lace- 
work and embroidery from the Moors, who had learned the art from the deft weavers and 
designers of hand-work in the far East. The ancient Persian and Phoenician women were fine 
artificers in needle-work and embroidery and the art descended through India to the Moors and 
thence to the Spaniards, when it became patronized and promoted b}' the courts and nobles of 
Castile and Arragon and thence transferred to Mexico and taught to the peons or slaves of the 
conquerors, and by the descendants of these poor serfs has been preserved and improved upon 
until Mexican Drawn Work of the higher grade is unrivalled in the world for beauty, artistic 
value and lasting qualities. 

The designs originally were what is now called the Fayal work. From generation to 
generation the Mexican women have improved upon the designs until their work now ranks 
with that of the medieval hand-lace makers, and age, if the art be not lost, will contribute the 
more greatly to its value. 

Many of the designs represent a talent that can not be classed as crude and uneducated. 
Artists and critics cultured in the arts have given the filmy, gossamer, hair-like creations of the 



more expert makers of Mexican drawn-work unstinted and ecstatic praise. It is known at the 
courts of Europe and in the homes of the connoiseuers in such matters, and while the Honiton, 
Escurial, Guipure and Duchess laces will always hold their allotted high places in the estimation of 
experts in the value of such work, the Mexican Drawn Work has a peculiarly high standard 
of its own, and one which undoubtedly, by proper encouragement of the poor women engaged 
in its making and broadened avenues for its introduction, it will continue to maintain. 

Of course it required an artistic eye, trained taste and discriminating judgment to assort 
the good from the bad and indifferent and to fix a standard and intrinsic value for the high- 
class production of the more artistic and talented makers of the Mexican Drawn Work. A 
pioneer in this field is Mrs. S. E. Criss-Wise, of New York, a traveled and cultured woman, whose 
replete knowledge of women's industries and domestic and artwork on two continents, coupled 
with rare tact and good business judgment, fitted her peculiarly to undertake the encourage- 
ment and stimulation along commercial lines of the drawn work industry, which without much 
practical encouragement the Mexican women have kept alive for centuries. Mrs. Criss-Wise 
made careful investigation of the industry and became an enthusiast over the beauty and high 
art value of the drawn work product and its possibilities for ameliorating the condition of the 
Mexican women who are adepts in its making, as well as of the younger women and girls who 
display talent in learning sufficient to keep the art alive. The work is gathered from all parts 
of Mexico, the choicest specimens coming from Tamaulipas, and is made by the younger women, 
whose ages range from sixteen to thirty years, although many beautiful specimens are made by 
the older women. The work is trying on the eyesight, but the impression that it induces blind- 
ness at an early stage is erroneous. The women take pleasure in this work, apply themselves 
assiduously and at the same time are careful of their eyes. They do not work in a bright light, 
but in the subdued light of the interior of their houses. In order to be near these industrious 
workers and to make her examination of the industry thorough, Mrs. Criss-Wise established 
herself in Texas, near the Mexican border, for a number of years, and she now makes annual 
visits to the homes of the workers, and by her liberal purchases and promotion of sales supports 
entirely several families of the more expert of the drawn work operators. Always paying the 
highest prices, Mrs. Criss-Wise commands the prize specimens of the work, and she believes in 
putting the industry on a strictly commercial basis, at the same time paying just prices to the 
weavers, although she admits that some of the products are well nigh priceless in artistic value. 
Not only are the women of Mexico, wdio are trained in their art, fond of doing this work, 
but when furnished with fine materials and well paid their dark eyes dance with joy and they 
fairly excel themselves in the character of the work produced. The lace-makers are of the 
pilado class, or the ranch-women. An interesting picture of a group of young lace-makers at 
work at their frames in the shade of a typical Jacal or ranch-house is herewith given. In 
the springtime these picturesque huts are nestled in miles of heliotrope and milk-white chap- 
paral. In summer and autumn this floral vegetation gives way to the hardier trees, the mes- 
quite, prickly pear and Spanish dagger. The housewife's tastes shine artistically through the 
disposition of these southern feminines, and some of the prettiest laces are used to decorate 
their home, which is built on a novel plan. Ofttimes it is only one story high, with four rooms 
on one floor, the kitchen and three bedrooms. The kitchen is arranged as a composite apart- 
ment, being also used as the eating room and the parlor. The average lace-maker is a very 
attractive woman. She is about medium height, slight and graceful, with a physique like a 



classic goddess. Every muscle is strong, for she has plenty of exercise and fresh air, as she lives 
almost entirely out of doors. She has small hands and feet and walks with a springy, elastic 
step. She has large, beaming black eyes, flashing from an oval face, superb with rich southern 
coloring. Nearly every female member of the family in these parts is a lace-maker or attendant 
of one. A pretty family picture is presented by the mother, four daughters, two daughters-in- 
law, their four children and the grandmother reclining on the coarse, greenish-gray sward busily 




MEXICAN GIRLS MAKING DRAWN-WORK. 



weaving exquisite patterns out of colored grasses, threads or horsehair. The younger ones 
prepare the coarse outlines, while the more experienced do the filling in. Usually the grand- 
mother catches up all the fallen stitches, instructs in odd designs and gives out the rules for the 
best ways of accomplishing the neatest and most perfect work. When a stitch is invented a 
great woman's levee is given and the inventor is feted and crowned with wreaths and flowers. 
In making the drawn work the threads are first drawn out of the piece of material to be 
used, after which the piece is put in a frame and the filling-in process, or weaving in the pattern, 
is begun. Many of the designs are superb and give the utmost beauty to the work. The women 
are very industrious, and as a rule weave from six to eight hours a day. This gives them some 
time for pleasure. The climate being so hot, they sleep ver}' little, and arise early in the morn- 
ing and take their exercise before the first meal of the day. After that they work steadily until 
twilight, when the time from six until nine is given over to social gatherings and dances. As 
the women work they eat tortillas. This bit of food-luxury is curiously prepared. It is a cross 
between bread and the pancake. The process of making it is unique. The fresh corn is steeped 
in lye until the shell is softened and then baked or boiled. After being thoroughly cooked it is 
poured into a stone slab, which is hollowed out in the center, and it is then pounded flat. It 
resembles a piece of leather, but the lace-makers sprinkle it with red pepper and love it. They 



also smoke cigarettes, the baby girls being utilized as " lighters." It is not uncommon to see a 
three-year-old child creeping along the grass to the table, reaching for the incense stick and 
giving her sisters and relatives a "light" all around. 

The costumes of the women vary, but in the main follow out the Aztec designs. The 
undergarment resembles the Japanese kamona; the outside skirt is full and tucked in at the 
waist, which is surmounted by a metal belt. The overjacket is sometimes a blouse and again a 
bolero. One article never missed is the mantilla. It may be a soiled rag draped hallway over 
the crown of the head, or a richly-woven lace scarf, brought artistically from the tip of the fore- 
head to the shoulders and pinned at the breast with a jewelled brooch, but every woman wears 
one or an imitation of one. The lace-makers are devout Roman Catholics, and the best of their 
work is devoted to church ornamentation. 

If intelligently developed on commercial lines and the trade in drawn work is promoted 
so that it will supply these industrious lace-makers with proper materials of a high class for 
work, the industry will do much toward domesticating, developing the intelligence and improv- 
ing the condition of these poor Mexican women. 



MATERIALS TO BE USED IN DRAWN-WORK. 

Linen is the only material that should be used in making drawn-work, for the reason that 
it is much stronger and more durable than any other fabric, and, besides, it washes perfectly 
and does not become yellow with age. 

There are, of course, many grades of linens, and judgment should be used in selecting a 
suitable kind for the particular use it is to be put to. For smairpieces. such as finger-bowls, 
doyleys, pincushion covers, etc., fine Irish or French Linen Lawn or Linen Cambric is the proper 
thing, or, if cost is no object, the dainty French hand-spun Linen Lawn or Chinese Grass Linen. 
For larger pieces, such as tidies, table-squares, tray-cloths, center-pieces, scarfs, tea-cloths, etc., 
a heavier grade of linen is better. The famous " Old Bleach " Linens are especially adapted for 
such work, because they are made from flax of high grade and are bleached and finished with 
great care, consequently they are very strong and durable, and possess that silky appearance 
and touch which is characteristic of all good linens. Another feature which recommends the 
" Old Bleach " Linens is the facility with which their threads may be drawn. 

For very fine or elaborate pieces the round thread, soft-finished linens of Irish, Belgian, 
French and Dutch makes are also highly recommended. All these are more tightly woven than 
the "Old Bleach," but there is no especial difficulty abont drawing the threads of any of them. 

For large pieces, such as lunch-cloths, bed-covers, sheets, etc., the Dutch and Belgian 
Linens are especially well adapted. 

AS REGARDS THREAD. 
The thread, too, is an important item, and care should be exercised in selecting just the 
right weight for the quality of linen used. For very fine work the French " Petit Moulin " is 
undoubtedly the best, but for the heavier and larger pieces the "Finlayson" make of "Real 
Scotch" is recommended. 



H 



We have seen many pieces of very elaborate drawn-work spoiled because inferior or un- 
suitable materials were used. And it seems a pity to spend so much time on poor material when 
it is just as easj' and very little, if anything, more expensive to get just the right kind. 

Any person who has executed one piece of Drawn-Work can execute 
all the patterns herein shown. The key to the work consists simply in 
making the knot, and the manner of doing this is shown plainly in the 
accompanying figure. In the event of a worker coming in contact with 
a pattern not easily understood, the same will be sent on receipt of 25 
cents — stamps or postal notes. 

James McCutcheon & Co., 14 West Twenty-third Street, New 
York, make a specialty of supplying all kinds of Linens and Linen 
Thread used in this beautiful work, and if yon will write to that firm, 
giving them exact particulars of your wants, they will take pleasure 
in sending suitable samples. 




The originals of the designs represented in this book received First Prize at the World's 
Columbian Exposition, Chicago, 1S93. 



Directions for Ordering Designs. 

When ordering designs from this book be particular to give number of page and also 
number of figure as here printed. 



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James McCutcheon & Co. 

IfflPORTBRS AND RETAILERS 

339O0O OF <&&&&£ 

FINE H0U3EKEEPIN6 LINENS, 



333333 AND 3J33»3 



LINEN FABRICS OF ALL KINDS. 

PURE LINEN HANDKERCHIEFS 

FOR MEN, WOMEN AND CHILDREN. 



Washable Dress Materials, 

LINEN LAWNS, DIMITIES, BATISTS, NAINSOOKS, INDIA LINENS, VICTORIA LAWNS, 
FLANNELS, PERCALES, GINGHAMS, &c. 



BLANKETS, QUILTS AND COMFORTABLES 

All Weights and All Sizes. Medium and Finer Grades. 



OUR ASSORTMENTS IN ILL OF THESE DEPARTMENTS 

ARE UNEXCELLED. 

We deal only in thoroughly Reliable Goods, and whatever is newest and most desirable in the lines 
of goods which we carry may always be found in our stock. 



THE LINEN STORE, 4 WEST 23D STREET 

ESTABLISHED 1855. NEW YORK- 

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